If you believe musical performance fundamentally is an expression of freedom, then “Fidelio,” Ludwig van Beethoven’s only opera, is your über text. The famed work is now at Lyric Opera of Chicago with ...

The Washington National Opera’s production of Beethoven’s Fidelio is a triumph of elegant, efficient style and directorial finesse. Director Francesca Zambello re-invigorates the somewhat uninspired ...

Condensing Melville’s vast and discursive work into a three-hour opera may have seemed as foolish as Captain Ahab’s increasingly desperate voyage to find the whale that maimed him, but Heggie and ...

Beethoven’s only opera Fidelio is hard to pin down. Strip it down to its bare bones and you have a romance, but it wears the flesh of a political thriller. The cross-dressing protagonist could garner ...

The lowest point is the highest point in Washington National Opera’s new production of Beethoven’s “Fidelio.” Deep in Pizarro’s dungeon, a woebegone Florestan — powerfully sung by tenor Jamez McCorkle ...

Is Fidelity to Fidelio essential? To what extent do we, as observers of injustice, have a responsibility to act? The new revival of Tobias Kratzer’s Fidelio production from the Royal Ballet and Opera ...

Take the end of his opera "Fidelio," which opened on Oct. 14 at San Francisco's War Memorial Opera House. It's the second production of the fall season of the San Francisco Opera, which has returned ...

If “operatic” is a synonym for “big,” Herman Melville’s sprawling novel “Moby-Dick” should be ideal source material for the stage. Jake Heggie’s 2010 operatic treatment certainly took up a lot of ...