Spiritual and religious artwork hangs in the Springville Museum of Art for the 38th annual exhibition. Over 275 pieces were displayed. (Abi Falin Horspool) On Wednesday, Oct. 16, the Springville ...

Religious art, in modern times, has fallen from the liveliness of the Renaissance, when religion was civilization and men brought a homely vitality to their church art. John Singer Sargent’s* symbolic ...

In the same way that western music has its roots in religious tradition, the interconnectedness between religion and art has been symbiotic; both evolving codependently to reflect social, cultural, ...

The director of one of the world’s oldest and most prominent art museums, the Uffizi Gallery in Florence, has suggested that religious artworks residing in institutional collections should be returned ...

The art historian James Elkins tells of his experience as one of four jurors for the 1990 exhibition “Revelations: Artists Look at Religions.” It was a big show with several famous artists in it, ...

The front entrance to the Springville Museum of Art. The museum is currently hosting its yearly exhibition highlighting spiritual and religious art in Utah. (Nathan Beitler) The Springville Museum of ...

NEW YORK -- In 1983, at Japan Society in Manhattan, I saw a show of early Buddhist sculpture so beautiful that I maxed out my Visa card to fly to Japan to find more. It was my first time there. I ...

A motion picture depictive of the life of the Blessed Virgin is now in preparation by The Catholic Art Association, which has been making Catholic pictures for seven years. Its purpose is “to ...

Do depictions of religious icons in art & architecture affect one’s experience with faith? Can depictions of religious icons in art & architecture have an impact on the deepness of one’s connection to ...

Within the field of Russian religious art, Russian icons hold a singular place within the country’s art historical traditions. First emerging in the 11th century, despite their significance they have ...

Two small exhibitions, one at the Met Cloisters, the other at the Wallach Art Gallery, bring the personal and political dynamics of devotional art to the fore. By Holland Cotter In 1983, at Japan ...